Stevie Nicks is joining in on the Kelce holiday fun!
On Wednesday, Oct. 2, Jason Kelce hinted at a collaboration with the Fleetwood Mac singer on the New Heights podcast Instagram, which he hosts with brother Travis Kelce.
“The crossover we didn’t know we needed,” the caption read, alongside a photo of Jason, 36, and Nicks, 76, posing together. “Coming soon to a Christmas album near you 👀🎄”
For the third year in a row, Jason, a former NFL lineman, will release a holiday album called A Philly Special Christmas Party with former teammates Jordan Mailata and Lane Johnson. Last year’s album included features by Travis, Patti LaBelle, Jordan Davis and more.
Per Philadelphia Magazine, the album — which raises money for charity — will also feature Boys II Men and Charlie Hall of the War on Drugs will produce the record.
The album will be available on Nov. 29.
The collaboration between Jason and Nicks isn’t a complete coincidence as the “Landslide” singer’s friendship with Taylor Swift — who’s dating Travis — goes way back.
During her Eras Tour show in Dublin in June, Swift, 34, dedicated and sang “Clara Bow” from The Tortured Poets Department album to Nicks.
Before performing the song, the pop megastar teased the surprise: “She’s a hero of mine and also someone that I can tell her any secret and she’d never tell anybody,” Swift said.
She added, “She’s really helped me through so much over the years. I’m talking about Stevie Nicks.”
ROBYN BECK/AFP via Getty
At the show in Dublin, Travis met Julia Roberts and Nicks — and he opened up about the interactions on the New Heights podcast.
“Yep. I met Julia Roberts in Ireland, in Dublin, Ireland. That was pretty cool, she was awesome. Her and Stevie Nicks were in there having some fun,” he said.
“You might be the only one in the family that hasn’t met her yet,” he said to Jason, referencing the “Rhiannon” singer. “Mom got to meet her down in Florida…and she is, I mean, every bit as what everyone makes her out to be. She’s just so, so awesome.”
Meanwhile, in 2023, Nicks wrote a poem that made it into The Tortured Poets Department album’s written prologue.
Read the full article here
